ISRE Transforms Sardinia's Anthropological Memory into a Tool for Social Critique

The Istituto Superiore Regionale Etnografico (ISRE) of Sardinia, a public institution dedicated to preserving and studying the island's ethnographic heritage, is undergoing a season of deep renewal. Under the direction of Efisio Carbone, the ISRE museums are opening up to contemporary artists to transform anthropological memory into a tool for social reflection and international dialogue. This shift marks a notable step in how local institutions approach their heritage.

Following the presentation of works by Sardinian artist Michele Ciacciofera, whose practice explores the links between nature, culture, and memory, ISRE is preparing to host a project by Spanish conceptual artist Santiago Sierra in Orgosolo, a village known for its murals. The project, announced as imminent, fits into a dynamic of decolonizing institutional narratives, a central theme for Carbone, who intends to make the museums spaces for critical debate.

ISRE, founded in 1972, manages the Ethnographic Museum of Nuoro and the Costume Museum of Nuoro, as well as a network of civic museums. Previously focused on conserving objects and traditions, the institute is now expanding its programming to contemporary art to question inherited representations of colonization and cultural hierarchies. In an interview, Carbone outlines his vision of a "material" institution rooted in territory, far from a simple folkloric showcase.

This new direction is part of a broader movement in Europe where ethnographic museums are rethinking their collections. ISRE stands out for its choice to invite internationally renowned artists like Sierra, whose works often critique economic and social systems. The project in Orgosolo, in particular, could spark wide debate, as the artist is known for provocative actions involving the public.

The ISRE season is not limited to these two highlights. Carbone mentions a continuous program that mixes exhibitions, residencies, and meetings, aiming to build bridges between Sardinia and the world. Observers see this as an opportunity to reposition the island on the contemporary art map while rethinking the transmission of its culture. As the Santiago Sierra project awaits, the Sardinian art scene seems to enter a decisive phase of transformation.

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Written by the ADM desk based on Exibart. Read the original article for the full story.