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August 9, 2026 · eu

Marco Palmieri Photographs the Theatrical Architecture of Palazzo Te in Mantua

Until September 13, the Camera delle Cariatidi at Palazzo Te hosts a new photographic series by Marco Palmieri, inspired by the Cortile d'Onore and its scenic architectural structure.

Marco Palmieri, a contemporary photographer whose work explores the links between image and built space, is taking over the famous Palazzo Te in Mantua this summer. The Italian artist presents a new series titled 'Cinque Quinte. Omaggio a Palazzo Te', on view until September 13 in the Camera delle Cariatidi. The exhibition, organized by Exibart, offers a fresh reading of this Renaissance masterpiece, commissioned by Federico II Gonzaga from the architect Giulio Romano in the 16th century.

Palmieri's photographic series takes the Cortile d'Onore, the palace's courtyard of honor, and its exceptional scenographic structure as a starting point. Through five large-format images, the artist highlights the theatrical character of Giulio Romano's architecture, which plays with perspective and optical illusions. The title 'Cinque Quinte' refers to theater wings (the 'quinte') and evokes how the palace facades unfold like successive panels, creating an effect of depth and mise en abyme.

Palmieri, who has already exhibited in numerous Italian institutions, has been interested for several years in the relationship between photography and architecture. His approach, both documentary and plastic, questions the materiality of places and their symbolic dimension. For this occasion, he worked specifically on the light and perspectives of the palace, emphasizing the play of shadow and light that animates the stone.

'Cinque Quinte' is part of a heritage enhancement program that combines contemporary art and historical architecture. The exhibition is accompanied by an illustrated catalog, published by Italian publisher Danilo Montanari, which gathers the series' images along with a critical text. The public is invited to discover this dialogue between past and present until mid-September, an opportunity to rediscover one of the jewels of the Italian Renaissance from a decidedly contemporary angle.


Written by the ADM desk based on Exibart. Read the original article for the full story.

Source Exibart