Mexico at the Venice Biennale: The Body as a Container of Ancestrality in RojoNegro's Work

The Mexican Pavilion at the 61st Venice Art Biennale is hosting 'Actos invisibles para sostener el universo' (Invisible Acts to Sustain the Universe), a project by the collective RojoNegro, composed of María Sosa and Noé Martínez. Combining sculpture, performance, and sound, the installation reflects on the connections between the body, memory, and ancestral rituals, with a resolutely decolonial perspective.

Curated by Jessica Berlanga Taylor, the work takes the form of an offering addressed to the dead, both personal and social. The body emerges as a container of ancestrality, a vector for transmitting knowledge and practices inherited from Mexico's indigenous cultures. The immersive installation invites visitors on a sensory journey where sound and performance dialogue with matter.

RojoNegro, formed by María Sosa and Noé Martínez, is known for its research into ritual technologies and how they can be reactivated in a contemporary context. Their work belongs to a Latin American artistic movement that revisits colonial legacies and proposes alternatives to dominant narratives.

The Mexican project fits into a Biennale edition marked by a strong presence of voices from the Global South. By placing spirituality and memory at the heart of its proposal, the Mexican Pavilion offers a counterpoint to discourses often centered on technological innovation and the art market.

This participation confirms the vitality of the Mexican art scene on the international stage. The exhibition remains on view until the close of the Biennale, in the Giardini or the Arsenale, depending on the pavilion's location.

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Written by the ADM desk based on Artishock. Read the original article for the full story.