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August 8, 2026 · global

Savneet Talwar, Anna Boghiguian, Iris van Herpen: Highlights of the Week

An unpublished interview with Simone Forti, participatory pleating at the Brooklyn Museum, and heartbreaking drawings by children held in ICE facilities: this week's art news in three acts.

This week's art news is marked by a rare document: an unpublished interview with choreographer and artist Simone Forti, a major figure of American postmodern dance. In the 1960s, she took part in the famous Judson Dance Theater concerts in New York, which revolutionized dance by bringing it closer to the visual arts. These words, never before published, shed light on her practice, between improvisation, observation of animal movement, and political engagement.

In a completely different vein, the Brooklyn Museum invites the public to participate in a collective work led by Dutch designer Iris van Herpen, known for her creations blending haute couture and 3D technologies. Participants are invited to pleat materials, a participatory experience that extends the artist's reflection on organic forms and movement. The initiative is part of the museum's summer program, which multiplies immersive proposals.

Finally, a poignant exhibition presents drawings made by children detained in U.S. Immigration and Customs Enforcement (ICE) facilities. These works, both naive and heartbreaking, convey the trauma and uncertainty experienced by these young migrants separated from their loved ones. They constitute an artistic and human testimony of rare intensity, on a subject that deeply divides American society.

These three news items – the rediscovery of a pioneer, the collective experience of a star designer, and the silent voice of suffering children – illustrate the diversity of approaches and concerns in the art world today. They remind us that creation seizes both historical avant-gardes and contemporary social urgencies.

While the first two initiatives are carried by established institutions, the third, often relayed by associations, shows that art can also be a space of resistance and memory. The public is invited to discover these projects in their entirety, whether in the pages of specialized magazines or in exhibition halls.


Written by the ADM desk based on Hyperallergic. Read the original article for the full story.

Source Hyperallergic