Tania Candiani: Listening to What Lives Beneath the Surface

Mexican artist Tania Candiani, known for her installations exploring the relationships between language, sound, and matter, presents a new exhibition titled “Radix.” In this project, she imagines a fictional biome at the edge of reality, where natural sciences meet and blend with speculative narratives. Candiani, already internationally recognized for her conceptual works, continues here a reflection on ecosystems and our perception of the living.

The exhibition brings together blown glass sculptures, live plants, a rhizotron—a device for observing root growth—and a sound composition. These elements are presented as fragments of a single system, where no clear boundary remains between the inert and the living. She invites visitors to lend an ear to what transpires beneath the surface, where roots unfold in silence.

Tania Candiani, whose practice extends from installations to collaborative projects, has participated in numerous international events, including the Venice Biennale and documenta. Her work is characterized by a transdisciplinary approach, often intertwining scientific research and sound experimentation. “Radix” follows in this vein, offering an immersive experience where viewers are invited to reconsider their place within ecosystems.

The exhibition is held at a location not specified in the available information but appears to have opened its doors in late 2026. It should remain accessible for several months, giving the public the opportunity to discover a work that questions the boundaries between the biological and the technological. The sound dimension, essential in Candiani's work, is expected to particularly impress visitors, creating an atmosphere where listening becomes an act of knowledge.

With “Radix,” Tania Candiani once again demonstrates her ability to build bridges between disciplines. This exhibition, which weaves together art, botany, and acoustics, attests to the vitality of the Latin American art scene and its engagement with contemporary ecological debates. It stands as a must-see for enthusiasts of installations that question our relationship with the living world.

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Written by the ADM desk based on Artishock. Read the original article for the full story.