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August 7, 2026 · eu

Eleven Central Asian artists reimagine Turandot in Venice

Palazzo Franchetti hosts an exhibition through October 31 that reworks Puccini's opera to spotlight contemporary women artists from Central Asia.

Venice is devoting an unexpected showcase this summer to Central Asia: Palazzo Franchetti, overlooking the Grand Canal, is presenting a group exhibition bringing together eleven women artists from the region, spanning Uzbekistan, Kazakhstan and Kyrgyzstan. The curatorial thread is unusual — Turandot, Giacomo Puccini's unfinished opera premiered in 1926, whose plot unfolds in a fictionalized China representing Europe's early 20th-century fantasies of the East. The show runs through October 31, timed to coincide with the Venice Biennale calendar that draws international art audiences to the lagoon each year.

By taking Turandot as a starting point, the exhibition's organizers invert the opera's gaze: rather than viewing Asia through a Western lens, as Puccini's work does, eleven Central Asian women artists speak for themselves, addressing their own territory's myths, identity tensions, and Soviet and post-Soviet legacies. The Venetian palazzo, with its neo-Gothic facade rising above the canal, provides a resonant historical backdrop for works that each, in their own way, interrogate the orientalist imagery long constructed by Europe.

The project fits into a broader push to raise the profile of Central Asian art scenes, which have long remained on the margins of major international contemporary art circuits despite rich traditions in textile, painting and performance. Countries such as Uzbekistan have stepped up cultural outreach abroad in recent years, notably through national pavilions dedicated to the region that have begun appearing at previous Venice Biennale editions.

The Palazzo Franchetti exhibition thus joins the constellation of satellite events orbiting the Biennale, capitalizing on the influx of visitors, collectors and art professionals gathering in Venice throughout the summer and autumn months. It offers a rare opportunity to discover, under one roof, a panorama of contemporary women's art from a region still underrepresented in Western institutions.


Written by the ADM desk based on Artribune. Read the original article for the full story.

Source Artribune